2025

Necro Deco

IMA

2024

(s)CARING

un Magazine

2024

desk, door, devil

Katie Ryan

Memo Review

2024

Fire me, Paul

Profile on Grupo Ascencio and Interior 2.1

un Extended

2024

Screenic by Philip Brophy

What I'm Reading

Meanjin

2024

Not Natural

Science Gallery Melbourne

Memo

2024

Catalogue essay for Briony Galligan

Conjuring I already Forgot

Feltspace

2024

Hair Pieces

Memo Review

2024

10 artists to watch in 2024

Katie West

Art Guide

2023

Hey Big Bully

Spoken word for The Horror of The Avant Garde

ALPHA60 Chapter House

2023

Tylenol killed your empathy to soothe a headache, and now you are progressive in the arts

Contribution to Parallel structures

Runway Journal

2023

Profile on Jemima Lucas

Profile on Jemima Lucas

Art Collector Undiscovered Issue

2023

Profile on Spencer Lai

Profile on Spencer Lai

Art Collector Under 5k Issue

2023

Walking Through The Darkness

Review of Walking Through The Darkness

Memo Review

2023

Much better than millenials who suck, more than vampires suck blood

Profile on Stefa Panoschi and Neve Curnow

un Extended

2023

Suggested Friends

Catalogue essay for Intimate Organisms

Outer Space

2023

Testing Grounds

Contribution alongside Bonita Ely, David Chesworth, Kenny Pittock, and Michael Lindeman.

Art Guide Issue 141

2022

Artsworker Run Space

Tour for a selection VCA Graduates 2022

VCA

2022

Profile on Aaron CV Rees

Profile on Aaron CV Rees

Art Collector Debutantes Issue

2022

Profile on Matthew Harris

Profile on Matthew Harris

Art Collector 50 Things collectors should know

2022

Mexican artist Tania Candiani branches out at Sydney Biennale

Profile on Tania Candiani

Art Guide Issue 136

2022

Profile on Ezz Monem

Profile on Ezz Monem

Art Collector 100th Issue

2022

Tracking the Pilbara through art

Profile on Tracks We Share

Art Guide May/June

2022

Profile on Annika Koops

Feature on the artist's work

Art Collector The Natsiaa Issue

2022

Nice meeting you in person

Catalogue essay for Reject Modernity, Embrace Tradition II: I Have Been In This Place Before

TCB Inc

2022

Profile on Kate Wallace

Profile on Kate Wallace

Art Collector 50 Things collectors should know

2022

10 Reasons Why Life-Sized Iguanas Should Eat Everyone That Is Very Northcote In Northcote

Contribution for Milk Reads #2

Milk Reads

2022

What do you like about vampires?

Catalogue essay for Sincerely Yours

Westspace x Arts Project Australia

2022

Nightly Steps

Catalogue essay for 𝖍𝖊𝖗 𝖕𝖔𝖙𝖊𝖓𝖙 𝖋𝖊𝖊𝖙 - 𝖜𝖍𝖔𝖘𝖊 𝖙𝖔𝖚𝖈𝖍 𝖆𝖑𝖔𝖓𝖊 𝖋𝖔𝖗𝖒 𝖍𝖔𝖑𝖑𝖔𝖜 𝖕𝖔𝖔𝖑𝖘

MILK Gallery

2022

Fucking Fascists

Prose for Minority Report

Minority Report

2022

Without telling anybody else

Catalogue essay for Improper Structures

Melbourne Design Week

2022

Mediatrix of all graces ;)

Catalogue essay for The Seers

Blinside Ari

2022

My green contribution to softboi literature

E-zine for Evanesce

CLIMARTE x Centre for Projection Art

2022

Iconographic Necromancy

chapter for Dark Eden: Transdisciplinary Imaging

Dark Eden: Transdisciplinary Imaging

2022

Leisuretime I, Aaron Claringbold and Rebecca McCauley

Profile on Leisuretime I

Performance Review

2022

Booboo, I think you need spiritual alignment more than cocaine

Catalogue essay for Spiritual Poverty

Gertrude Glasshouse

2022

We are all bad people

Catalogue essay for Woke In Fright

The Substation

2022

You are looking at a fucking catalogue essay

Catalogue essay for Speech Patterns

Art Gallery of Western Australia

2021

Profile on Hayley Millar Baker

Profile on Hayley Millar Baker

CoBo Social

2021

Profile on Cyrus Tang

Profile on Cyrus Tang

CoBo Social

2021

Dragonology: A Phd Proposal

Catalogue essay for Michael Kennedy's Dragonology: A Phd Proposal

Rubicon ARI

2021

Profile on Jake Treacy

Profile on Jake Treacy

50 things collectors should know Issue, Art Collector

2021

Profile on Katie Paine

Profile on Katie Paine

Undiscovered Issue, Art Collector

2021

Profile on Lucreccia Quintanilla

Artists on Artists et al

CoBo Social

2021

The Creed

Catalogue essay for Nadia Hernandez' Con la punta de los dedos (With the tips of your fingers)

Station

2021

The Party Within by Caroline Wylds

What I'm Reading

Meanjin

2021

Fuck Dying

Catalogue essay for Georgia Banks' Remains to be seen

Gertrude Glasshouse

2021

Letters to a lost friend

Contribution to Blue journal

Blue

2021

Are you okay?

Review of 2021

Performance Review

2021

Goya: Drawings from the Prado Museum

Review of Goya: Drawings from the Prado Museum

Memo Review

2021

Look Again

Profile on Atong Atem

Art Collector Issue 97

2021

4am

Catalogue essay for Flaming Arrows

Bundoora Homestead

2021

Steven Rhall is prompting a connection to Aboriginal Land

Profile on Steven Rhall

Art Guide November / December

2020

So Melbourne

Contribution to Special Issue s

Special Issue s

2020

The Monstrous Kiss and Its Perversions

Disrupt 01

Heart of Hearts Press

2020

Feedback Loops (ACCA)

Review of Feedback Loops

ABR

2020

Dark Fate

The camera lens as a black hole

Issue Seven (56.2): Event Horizon, Art and Australia

2020

Uncivil Optimism

Words and images in times of pestilence

Running Dog

2020

💅 💀🌸 : Nathan Beard’s Limp-wristed Gestures

Catalogue essay for HERE&NOW20: PERFECTLY QUEER

Lawrence Wilson Art Gallery

2019

Unnatural Hunger

the copy, the vampire and postcolonial anxieties

Island Island

2019

Mary, Holy Mary

Catalogue essay for A Treasured Private Notebook

CCP

2019

Wicked Hotel

Review of Neon Parc's Spring1883

Art and Australia

2019

PoC Barometer (or this is what I really think about the conversation we had at the gallery opening)

Contribution to Metro arts' Artspeak

Metro arts' Artspeak

2019

The Falling Star

Catalogue essay for Alexandra Nemaric's Magic Words, Good Manners

TCB Inc

2018

Nosferatu On Reddit: Hito Steyerl’s Factory of The Sun

Review of Hito Steyerl's Factory of the Sun

Art and Australia

2018

The Will of Sound and Image

Review of TarraWarra Biennial 2018: From Will to Form

Runway Journal

2018

The Foaming Node: A Mutant Cult and Television

Review of The Foaming Node: A Mutant Cult and Television

Horror HomeRoom

2018

Racial Phantasmagoria: The Demonisation of the other in Richard Mosse’s Incoming

Review of Richard Moss' Incoming

NECSUS

2018

Floating Megalopolis

Review of Dwelling Poetically: Mexico City, a Case Study

Art and Australia

2018

Illicit Love or The Malady of Venus

Catalogue essay with Katie Paine for Collaboratory

Latrobe Art Institute

2017

A Spoiled Egg

Catalogue essay for Si Ma Va's 'to the end of the line (thanks)'

Bus Projects

2017

Another Space: VR Eyeballs and CGI Limbs

Review of Another Space

*dumb brun(ette)

2017

Backgammon

Catalogue essay for Towla

Counihan Gallery

2017

Alexandra Nemaric: Faith In The Perishability Of Love

Review of Never Rich

*dumb brun(ette)

2017

The Will To Death

Catalogue essay for Inherent Vice

2017

Ghost Stories of Sadism: Notes on Micro-racism

Catalogue essay for Always There and All A Part

Blindside Ari

2017

Semiotic Dungeons

Issue Three (54.2): Unnaturalism

Art and Australia

2017

The Ryan Sisters: Dark Pit

Review of The Ryan Sister's Gruesome Twosome

*dumb brun(ette)

2017

Lucreccia Quintanilla: The Void After The Colonies

Review of Lucreccia Quintanilla's A Steady Backbeat

*dumb brun(ette)

2017

Phuong Ngo: Post-Apocalypse Now

Review of Phuong Ngo's Conflicted: Works From the Vietnam Archive Project

Art and Australia

2017

Techno Ghoul

Catalogue essay for Aaron Rees' Tenome: Eyes Of The Hand

First Draft

2017

Bermuda Triangle: Repertoires of Contention

Review of Grifalakis' and Segura's Repertoires of Contention

Art and Australia

2016

Super Phalluses and Western Clutter

Review of Ramesh Mario Nithiyendran's In The Beginning

Art and Australia

2016

A Freak Encounter: anime fans and the friki subculture

Issue 3

Fragmented Magazine

2016

The Act of Misplacing

Catalogue essay for Katie Paine's Future Devonian Archive

Rubicon Ari

2014

The aXolotl: a vehicle for knowledge and the postcolonial ‘return’

Issue 26

Runway Journal