aXolotl’s Happiness (2014) is a video inspired by the creature axolotl. The work draws upon Julio Cortazar’s short story Axolotl (1952), a Kafkian narrative about a man that transforms into an axolotl. The axolotl is a neotenic salamander endemic to the lakes of Mexico with the unique capacity to regrow lost limbs and remain in a state of eternal youth. “The work is inspired by Julio Cortazar’s short story Axolotl (1952), which is about a migrant who turns into an axolotl. I was 24 at the time and experiencing adulthood with a pessimistic outlook, when life felt like floating aimlessly in a fish tank. I researched ideas behind the axolotl, an animal that never ages and regrows limbs. Then wrote a script and storyboard inspired by early 70s video art, where artists are often seen performing boring gestures. I wanted to have a more cinematic take on this, without the grandiosity of artists like Matthew Barney, who turned video art performance into film with great success. Thus, I set the fantastical figure of a humanoid axolotl in my house, doing banal things, like (my real) dirty dishes.” The idea of looking at foreigners as monsters is an ongoing theme in Ramirez’s practice. In his essay Semiotic Dungeons (2018), he traces this tendency to monsterise the other back early antiquity, when Greek travellers returned home with stories of ‘monstrous races’.
